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| Original Title |
Italian Job, The |
| Director |
F. Gary Gray |
| Genre |
Adventure, Action, Crime, Thriller |
| Released |
2003-05-30 |
| MPAA Rating |
Rated PG-13 for violence and some language. |
| Rated |
6.9 |
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| A gang of robbers, lead by career criminal Charlie Croker, create the largest traffic jam in Los Angeles history, giving them time to pull off a theft of gold bullion. They get away in their Mini Coopers, which are small enough to drive on sidewalks so they can make a clean get away before the traffic jam clears. |
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| Mark Wahlberg as Charlie Croker , Charlize Theron as Stella Bridger , Donald Sutherland as John Bridger , Jason Statham as Handsome Rob , Seth Green as Lyle , Mos Def as Left Ear , Edward Norton as Steve , Fausto Callegarini as Italian Guard , Stefano Petronelli as Garbageman/Thug , Fabio Scarpa as Garbageman/Thug , Cristiano Bonora as Garbageman/Thug , Tiberio Greco as Garbageman/Thug , Jimmy Shubert as First Detective , Tammi Cubilette as Second Detective , Mary Portser as Stella's Receptionist |
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Follows the formula, but at least does it with style and creativity.
Contains spoiler
The first thing I heard about The Italian Job was that it had a car chase
in
it that was supposed to be better than the one in The Matrix Reloaded. I'm
not sure I would go that far, but there is no denying that there is some
great action in this movie. It is, admittedly, an hour and forty minute
Mini
Cooper commercial, and it definitely follows the typical formula of a
heist
movie, but there are subtle differences that make it more than worth
watching.
Seth Green plays the part of Lyle, who I'll just describe as exactly the
same character that he played in Enemy of the State to save time, but he
provides some of the most entertaining scenes in the film. The creation of
the `Los Angeles' largest traffic jam ever' (although I'm SURE I've been
stuck in worse than that in that place) is the movies main attraction, and
Lyle creates it with suck geeky style that he makes it cool to be a
computer
nerd again.
(spoilers)
Charlize Theron plays Stella Bridger, the daughter of John Bridger (Donald
Sutherland), whose vicious murder provides much of the drive for the
conflict of the entire film. Stella plays the beautiful blonde with a
whole
world of possibilities open to her because she's so intelligent and
strong,
and then she is sent into an emotional turmoil for most of the film. So
basically exactly the same character she played in The Devil's Advocate,
Reindeer Games, The Astronaut's Wife, Mighty Joe Young, The Legend of
Bagger
Vance, Men of Honor, 15 Minutes, etc.
Donald Sutherland is, of course, his usual badass self, with a calm and
collected cool that is rivaled only by such greats as Jack Nicholson and
Clint Eastwood. He is an actor who naturally portrays characters who have
plans that go just a little beyond what is spoken aloud (except, of
course,
for the character he played in Backdraft). In a movie that's populated
almost entirely by stereotyped characters, it's nice that at least one of
the caricatures is not routine and boring.
Mark Wahlberg is another caricature, but he is also not boring just
because
it's so much fun to watch him be p***ed off and seeking revenge. I've
always
thought that he had a tiny bit of a hard time playing anything other than
a
former-musician-turned-actor, but he definitely has his own style which
fits
perfectly with his role in The Italian Job.
And then there is Edward Norton, one of today's few young actors who
promises to ultimately obtain as much skill in portraying diverse
characters
as people like Tom Hanks and Dustin Hoffman, who are so good at what they
do
that they can literally play any role in the world should the need arise.
One of the only things that I was a little apprehensive about when I went
to
see The Italian Job was that I knew Norton was going to play the bad guy,
and I have always been so staggered by his performances in movies like
Primal Fear and American History X that I was a little bummed that I would
have to watch him caught and probably killed in this movie (thankfully I
was
spared the latter, which is more than can be said of movies in similar
situations, like Training Day).
Despite my opinion that Edward Norton's role as the bad guy was initially
a
little disappointing to me, it also turned out to be one of the best parts
of the movie, and not only because Norton is such a spectacularly talented
actor, some credit also goes to the writers in this category. As a whole,
The Italian Job doesn't stray too far from the typical heist movie
formula,
but the thing that really makes it interesting as we're led to the ending
that we always knew we would see is that the villain, Norton, is not a
complete moron, as villains quite often are.
When the rest of the team finds him, a year after he betrayed them to
steal
the million worth of gold that they stole together (in an opening
sequence that rivals any one in any James Bond movie ever made), we get
some
pleasant surprises in a movie that never really promised to have many.
Stella goes to his house as the cable-repair technician and ends up on a
date with him, and when they're out to dinner, she doesn't easily deceive
him with her beauty as long as she needs to, giving him wildly revealing
death looks all the while as you would see in the typical heist movie, but
he has caught on to her and tricks her into revealing her identity as
well.
Norton plays a villain that is aware of his surroundings, he's not
reckless
and ignorant and protected only by the mistakes of his pursuers, as would
normally be the case.
This intelligence goes on into the thrilling final action sequence, where
he
places his gold in one of three armored trucks in order to confuse his
pursuers, who he knows are watching every move he makes. I was a little
disappointed that the movie took the nosedive at the end where it is
explained that every character took his share of the gold and went and
bought exactly what they wanted (they did everything here but include the
phrase Happily Ever After), but I guess that's the price you pay for
getting
to have an interesting and entertaining ride to the ending that you
already
knew you would see. As a whole the movie is about as predictable as they
come, but at least they came up with some new things along the way. Given
the amount of movies of all genres these days that don't even bother to do
that much, this one is a breath of fresh air.
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