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| Original Title |
Daredevil |
| Director |
Mark Steven Johnson |
| Genre |
Action, Thriller, Crime |
| Released |
2003-02-9 |
| MPAA Rating |
Rated PG-13 for action/violence and some sensuality. |
| Rated |
5.9 |
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| Fate deals young orphan Matt Murdock a strange hand when he is doused with hazardous waste. The accident leaves Matt blind but also gives him a heightened "radar sense" that allows him to "see" far better than any man. Years later Murdock has grown into a man and becomes a respected criminal attorney. But after he's done his "day job" Matt takes on a secret identity as "The Man Without Fear," Daredevil, the masked avenger that patrols the neighborhood of Hell's Kitchen and New York City to combat the injustice that he cannot tackle in the courtroom. |
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| Ben Affleck as Matt Murdock/Daredevil , Jennifer Garner as Elektra Natchios , Colin Farrell as Bullseye , Michael Clarke Duncan as The Kingpin/Wilson Fisk , Jon Favreau as Franklin 'Foggy' Nelson , Scott Terra as Young Matt , Ellen Pompeo as Karen Page , Joe Pantoliano as Ben Urich , Leland Orser as Wesley Owen Welch , Lennie Loftin as Manolis , Erick Avari as Nikolas Natchios , Derrick O'Connor as Father Everett , Paul Ben-Victor as Jose Quesada , David Keith as Jack Murdock , Frankie J. Allison as Abusive Father (as Frankie Jay Allison) |
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I dare you to pay full price!
Back in the dark ages BT (Before Television), when kids walked ten miles
uphill both ways to school there were limited entertainment options. One
of
the cheapest avenues of escape was the comic book: often crudely drawn,
with simple storylines they provided a pleasant diversion without all
that
pesky reading. Their success continued on the small screen - who could
forget the campy 60's Batman with its ubiquitous Biffs! and Kapows! -
but
their transition to the big screen was definitely hit or miss. While
comic
to screen films like Batman did boffo box office they spawned a legion of
comic megabombs like Howard the Duck and The Punisher, and superheroes
dropped off the studios' radar. It would take more than a decade for the
quirky X-Men to rejuvenate the genre, and inspire A-list actors and
directors to jump back on the bandwagon.
When a freak accident robbed Matt Murdock (Ben Affleck) of his sight it
also
enhanced his remaining senses and allowed him to `see' in a whole new
way.
A lawyer by trade, Murdock lives a dual life, defending the
disadvantaged,
and in the guise of DareDevil, meting out his own brand of justice for
those
thugs that live beyond the reach of the law. His solitary existence is
shattered when he meets the beautiful Elektra a strong willed kindred
spirit
with a secret. Alas, hero bliss is usually short-lived.
Daredevil is a unique character in the comic universe, as he possesses
neither classical superpowers (he can't fly or change shape) nor is he a
reclusive billionaire who can buy all kinds of really cool gadgets. He
also
doesn't fit in the everyman category as he belongs to a group that is
classically considered disadvantaged. I believe it is these very
distinctions that led to his tenure as a hero, because readers find it
much
easier to relate to his character. Luckily Daredevil won't be seeing
this
movie anytime soon.
Fleshing out a comic book character onscreen is a delicate balancing act
between humor and drama - stray too far in either direction and what
you're
left with is parody .Ben Affleck often pegged as Hollywood's next big
leading man, plays Murdock with soft-spoken amiability, providing a
character that audiences will easily accept. If only he devoted the same
attention to the character's alter ego. Every time Affleck dons the mask
he
slips into melodrama delivering his lines with such overblown
self-importance and mock menace that they simply fall flat - several
serious
scenes spawned outbursts of laughter. The supporting cast offers equally
mixed performances.
Jennifer Garner is disarming as the beautiful Elektra, simultaneously
delicate and deadly. Garner demonstrates remarkable screen presence
which
begs the question why wasn't her character more thoroughly developed? If
we
knew a little more about Elektra it would have given some much needed
balance to the story. Instead, Electra is essentially reduced to window
dressing. Pity. This also extends to the big villain of the piece: in
spite of his menacing physical presence, Michael Clarke Duncan is tepid
as
Kingpin, hampered both by poor writing and pedestrian delivery.
Audiences
are supposed to hate the bad guy. The most I could muster was apathy.
Mercifully Colin Farrell rises to the challenge as Bullseye, the maniacal
Irish hitman who can turn anything into a weapon. Farrell's over the top
portrayal also helps to infuse the film with some intentionally humorous
moments (his mini tantrum elicited ongoing laughter from those who could
decipher his thick brogue).
I could dwell at length on the noticeable plot gaps (like how is it that
a
blind orphan would develop preternatural acrobatic abilities and fighting
skills with no training?), the dark setting, or the none too subtle
ironies
(Daredevil seeking refuge in a church), - but let's be honest, no one's
going for the story. Thankfully there are several well choreographed
fight
sequences (courtesy of Cheung Yan Yuen of Matrix fame) to help distract
the
viewer from these piddling details. Although Affleck noticeably stumbles
a
few times, Garner's movements are virtually flawless, no doubt honed
during
her time on Alias. Nothing like a leather clad bombshell kicking butt to
keep you mesmerized (works for me anyways). Mix in some above average
(and
sparingly used) fluid CGI for added eye candy, an energetic soundtrack,
and
a few comic creator cameos and you're left with a mediocre watchable
popcorn
flick. Just don't hold your breath for the sequel.
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