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| Original Title |
Hunted, The |
| Director |
William Friedkin |
| Genre |
Action, Drama, Thriller |
| Released |
2003-03-11 |
| MPAA Rating |
Rated R for strong bloody violence and some language. |
| Rated |
5.4 |
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| In the green woods of Silver Falls, Oregon, Aaron Hallam, a trained assassin AWOL from the Special Forces, keeps his own brand of wildlife vigil. After brutally slaying four deer hunters in the area, FBI Special Agent Abby Durrell turns to L.T. Bonham-- the one man who may be able to stop him. At first L.T. resists the mission. Snug in retirement, he's closed off to his past, the years he spent in the Special Forces training soldiers to become skilled murderers. But when he realizes that these recent slayings are the work of a man he trained, he feels obligated to stop him. Accepting the assignment under the condition that he works alone, L.T. enters the woods, unarmed--plagued by memories of his best student and riddled with gulit for not responding to Aaron's tortured letters to him as he began to slip over the edge of sanity. Furious as he is with his former mentor for ignoring his pleas for help, Aaron knows that he and L.T. share a tragic bond that is unbreakable. And, even as they go into their final combat against each other, neither can say with certainty who is the hunted and who is the hunter. |
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| Tommy Lee Jones as L.T. Bonham , Benicio Del Toro as Aaron Hallam , Connie Nielsen as Abby Durrell , Leslie Stefanson as Irene , John Finn as Ted Chenoweth , JosĂ© ZĂșñiga as Moret , Ron Canada as Van Zandt , Mark Pellegrino as Dale Hewitt , Aaron DeCone as Stokes (as Aaron Brounstein) , Carrick O'Quinn as Kohler , Lonny Chapman as Zander , Rex Linn as Powell , Eddie Velez as Richards , Jenna Boyd as Loretta , Alexander Mackenzie as Sheriff |
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"The Fugitive 3"? "Rambo IV"? You decide!
I had a really good dream last night. It was about this madman killer who is
on the run, and only one professional, ex-cop knows the secrets of how to
catch the killer. We find out that the killer and professional have some
sort of connection between each other, which only thickens the tension. The
pro chases the killer much to the chagrin of the police department led by an
attractive woman much too young for her job position. The killer and
professional confront each other many times during the course of my dream,
but the killer always escapes, even from about 30 SWAT teams with machine
guns. Then he and the ex-cop duke it out at the end.
I think I should turn this into the movie. Hmm, what should I call it? How
about "The Fugitive"? Already used? No problemo, we'll just call it "The
Hunted." Get a really good, Oscar-winning director (William Friedkin), an
Oscar-winning actor who has burned his fugitive-catching characters into the
ground (Tommy Lee Jones), and another Oscar-winning actor who has dull
charisma and can play a good bad guy (Benicio Del Toro). Combine them
together, get a half-baked script, slap it together, and pass it off as an
"original" film.
Alas, here is "The Hunted," a film that starts off quite competent and quite
interesting, but then slips into mediocrity and cliches in the second half.
I imagine that the filmmakers thought that by splashing Tommy Lee Jones'
face on all the posters and advertising the plot so heavily, they could dupe
audiences into thinking that this was the third "Fugitive" film. It might as
well be. It's just as bad as the second "Fugitive" film if not
worse.
I really liked the beginning setup. We are shown deer hunters in Canada,
stalked by a creepy killer with a razor-sharp knife. After killing both men,
a "tracker" who can track down people (Tommy Lee Jones) is sent to find the
killer. He does. We find out that the killer is Aaron (Benicio Del Toro), an
assassin for the government who has been mentally scarred by images of
violence in Kosovo. Jones trained Del Toro a few years back, before he
retired from "the game" (why do retired people always call their old job
"the game"?).
One thing leads to another, and soon Aaron has escaped from confinement, on
the run once again. Only this time, he's not innocent like Harrison Ford was
- he's guilty - and perhaps that is part of why this movie stinks.
Sure, "The Hunted" isn't technically a sequel to anything, though the
similarities to "First Blood" and "The Fugitive" are strikingly suspicious.
The beginning is great. It's tense, it is actually engaging and fun to
watch. But once Benicio Del Toro's character is caught (about, say, fifteen
minutes in), all the fun dissipates and the film switches courses from "The
Hunted" to "The Hunters." Essentially the movie strays from its
survivalist-killer-stalked-by-survivalist-trainer to a
two-really-adept-guys-chasing-each-other film. I really enjoyed the idea of
a mad killer hiding out in the wilderness, choosing his prey, with another
man just like him chasing the killer down. But to resort to images of a
tired Tommy Lee Jones reenacting a role that boosted his critical acclaim is
just plain sad.
After the film moved into urban areas it lost my interest. There was a spark
of ingenuity, or at least interest, in the idea of a madman killer out there
in the woods, picking off his prey one-by-one (sorta an update of "The
Predator" with humans instead of an alien). But what's the fun in seeing an
adept killer in the middle of an urban jungle? It's been done too many
times. Let's just say that "The Fugitive" and "Falling Down" this is
not.
As for the acting in this film, well, Tommy Lee Jones isn't getting any
younger, and either is the plot, for that matter. Tommy looks like he's
about to faint from fatigue. Benicio Del Toro looks like he is in desperate
need of some drugs, a tranquilizer to calm him down (just look at how quirky
his movements are throughout the film), and a six-pack of acting magic -
pronto. Connie Nielsen is starting to get on my nerves. The whole Cold Hard
Witch routine is getting old. So are these chase films.
"The Fugitive" was interesting. "U.S. Marshalls" was repetitive. "The
Hunted" isn't playing with a full deck of cards. It uses excessive shots of
gory violence and gallons of blood in hopes of making its audience take it
seriously as opposed to treating it like another softy R-rated chase movie.
It also hopes its audience will confuse it for "The Fugitive 3." The only
thing I really wondered after seeing this film: Is that a good thing
anymore?
2.5/5 stars -
John Ulmer
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